4/20/26
Reviewing consent agenda
On agenda: a, b, g
Pulled c, d, e, f — first and last for amendment, others withdrawn entirely
Second half of meeting closed
Videos of the atrium
My 7 novels: "The Story of S___;" "When Alice Met Her Favorite Movie Star in an Elevator," "The Pop Star and the Child Prodigy," and "Elves in Detroit" Books 1-4. This blog has essays and poetry. My twitter: @AnnalisseMayer; Goodreads: https://lnkd.in/dfiqRxG; Linkedin: http://tinyurl.com/pz9x93u NB: Annalisse Mayer is a pseudonym
Reviewing consent agenda
On agenda: a, b, g
Pulled c, d, e, f — first and last for amendment, others withdrawn entirely
Second half of meeting closed
Videos of the atrium
I asked Google for a review of the religious beliefs of the founding fathers. This is what Google said:
An Open Letter to Marjorie Taylor Greene
From, Alyssa Milano November 17, 2025:
“Congresswoman Greene,
Let’s skip the pleasantries. They were never your thing anyway.
So…you’ve suddenly discovered that Donald Trump, the man you treated like a messiah, is not loyal and that the MAGA movement is not safe, not sane, and certainly not rooted in anything constitutional. And you’re shocked that he’s attacking you, endangering you, calling you a traitor. As if you didn’t know he had it in him. Puh-lease.
Here’s the part you don’t get to skip:
You helped create this monster. You fed it. You protected it. You celebrated it. And now that it’s finally turning on you, you want sympathy? Understanding? A moment of national concern?
No. Absolutely not. NOPE.
You don’t get to unleash political poison into the bloodstream of American politics and then act surprised when it reaches your own veins. You don’t get to cheer on Trump while he smears, threatens, and dehumanizes everyone in his way, and then clutch your fake pearls when he finally does it to you. You don’t get to empower a movement built on conspiracy, cruelty, and violence, and then cry foul when you become its latest target.
Let’s be honest, you calling for the release of the Epstein Files, isn’t courage. It’s fear. You don’t suddenly care about truth or justice. And you definitely don’t care about the victims. You are calling for the release of the files because you’re afraid of what unchecked power looks like when it’s no longer aimed at your enemies. The Epstein case is a perfect cultural lightning-rod and your supporters love that shit.
You saw the polls and are reacting accordingly.
Jump off the sinking MAGA ship, am I right, MTG?
Now you’re talking about accountability and transparency. Ha! Where was that energy on January 6th? Where was your outrage when Trump incited a mob to storm the Capitol?
When they hunted Democratic lawmakers through hallways? When they called for the hanging of the Vice President? When police officers were beaten, crushed, and traumatized doing their jobs?
Where was your moral clarity then, MTG?
Where was your voice when Democratic governors were receiving kidnapping threats?When election workers were doxxed and terrorized? When a man broke into Nancy Pelosi’s home with a hammer and nearly killed her husband? When threats against Democrats, judges, school boards, and public servants skyrocketed?
You said nothing.
And this isn’t new behavior. You chased a Parkland school-shooting survivor, David Hogg, down a Washington sidewalk, taunting him and calling him a “coward.”
You screamed through President Biden’s State of the Union address like you were the most unprofessional person to ever be elected into office.
You voted against the Frederick Douglass Human Trafficking Prevention and Protection Reauthorization Act, (one of only twenty members of Congress to oppose a bipartisan bill designed to help trafficking victims).
You amplified QAnon conspiracies.
You suggested school shootings were staged.
And while Democrats were being targeted, when a militia plotted to kidnap Governor Gretchen Whitmer, and when Governor Josh Shapiro’s home was set on fire in an arson attack with his family inside, you offered no outrage, no sympathy, no defense of democracy.
I could go on. But I think you get the picture,
Congresswomen. I’m not buying it.
If you want redemption. If you want to step into the light, there is only one door:
Public, unequivocal accountability.
Not the performative kind with hair and make-up.
Not the “Trump hurt my feelings” kind. Not the victimhood you’ve perfected. Real accountability means going fully public with everything you know, every lie, every scheme, every threat, every abuse of power you witnessed, tolerated, or assisted. If you want redemption, start with the truth. All of it.
Until then, this isn’t a moral awakening. It’s simply the consequences of your own choices arriving right on schedule.
Sincerely,
Alyssa Milano”
If anyone actually read the 4th book in the Elves in Detroit series, you will know that that book just didn't turn out the way it was supposed to. I intended for Laurielle to marry Smash, but that didn't happen at all -- and I still don't know what the ending will be for the story -- if there is one. When I published it, I said it was a draft.
But I had this idea that I would write a short story sequel about one character -- one goblin -- and maybe try to get it on some website where they have free short stories and maybe that website would get my name better known.
This short story is going incredibly slowly. Tho I knew the ending all along, I just couldn't get there. I'm not sure I still have, tho I'm getting closer.
I've been using AI -- bing image creator and Grok -- to generate some pictures of goblins. Bing image creator was super frustrating as it kept cutting off the top of the goblin's head and her feet. Grok was somewhat better in that respect. The images from Grok looked more realistic, while the ones from Bing image creator looked cartoonish. Anyway, here are some images -- tho I haven't one hundred percent decided which one I want.
These are the ones from Bing image creator
These are the ones from Grok
This was the description that I eventually developed for this character
A standing female goblin. She is wearing a ragged one shoulder sleeveless dress. She is unnaturally scrawny, with little flesh between her skin and her bones — almost like a stick figure. She has reddish brown hair that sticks straight out of her head. Her enormous nose has wide nostrils so that the nasal base extends across half the width of her face. The nasal ridge is very straight, not aquiline, so that the perpetual snarl of her upper lip and her sinister, pointed teeth are clearly visible. Her eyes are red. Her ears are enormous and bat like. Her hands and feet are oversized. The top of her head and the ground under her feet are clearly visible. Her skin is very pale white, but dirty. Her fingers and toes have large steel claws sprouting naturally from her flesh. Her head is large in proportion to the rest of her body. There are blood stains on her face, hands, and dress.
None of the results were exactly what I wanted. The one that I decided I liked best was from Bing image creator, but lacked feet and top of head. I have been editing this image on Gimp with the following result:
I've had this blog for a long time. I've really enjoyed writing it.
However, it has not gotten a lot of attention.
A professional writing expert told me that substack is better, so I'm starting one on substack. I hope this is the correct link:
https://annalissemayer.substack.com
Of course, I'm grateful for those people who are reading this blog. I am not abandoning it. Hopefully, this will just be an expansion.
I am also changing my avi. Previously, I was using princess Merida, my Disney princess. I found her inspiring. However, I'm mindful that she is copyrighted, so I got this new one from Bing image creator.
I hope you like her
You'll notice that I just posted a blog about autism, Tylenol, and the Internet.
or maybe this link is better?
https://substack.com/home/post/p-174503721
Normally, I would have put that blog here. I wonder if I should put it both places. I'm new at this.
Hmm. I'm seeing that even tho I added an avi on substack it doesn't seem to be showing up on this post, which was posted before I got an avi. That wouldn't happen on blogger. I wonder if that's a bug or a feature, or whether I need to refresh my screen.
I also wrote a sort of stumbling introduction. I wonder if these are editable.
https://annalissemayer.substack.com/p/introduction
Ok, yes, I was able to edit it and correct a couple of things. Baby steps.
I saw this on FB. I hope I'm not going to offend Arthur Bass, whoever he may be, by posting this. I tried to ask Google to find the orginal post, but nothing was forthcoming. If you are the copyright owner and want me to take this down, just comment.
Arthur Bass On this day, July 31st in 1968, a young, black man was reading the newspaper when he saw something that he had never seen before. With tears in his eyes, he started running and screaming throughout the house, calling for his mom. He would show his mom, and, she would gasp, seeing something she thought she would never see in her lifetime. Throughout the nation, there were similar reactions.
What they saw was Franklin Armstrong's first appearance on the iconic comic strip "Peanuts." Franklin would be 56 years old this year.
Franklin was "born" after a school teacher, Harriet Glickman, had written a letter to creator Charles M. Schulz after Dr. Martin Luther King, Jr. was shot to death outside his Memphis hotel room.
Glickman, who had kids of her own and having worked with kids, was especially aware of the power of comics among the young. “And my feeling at the time was that I realized that black kids and white kids never saw themselves [depicted] together in the classroom,” she would say.
She would write, “Since the death of Martin Luther King, 'I’ve been asking myself what I can do to help change those conditions in our society which led to the assassination and which contribute to the vast sea of misunderstanding, hate, fear and violence.'”
Glickman asked Schulz if he could consider adding a black character to his popular comic strip, which she hoped would bring the country together and show people of color that they are not excluded from American society. She had written to others as well, but the others feared it was too soon, that it may be costly to their careers, that the syndicate would drop them if they dared do something like that.
Charles Schulz did not have to respond to her letter, he could have just completely ignored it, and everyone would have forgotten about it. But, Schulz did take the time to respond, saying he was intrigued with the idea, but wasn't sure whether it would be right, coming from him, he didn't want to make matters worse, he felt that it may sound condescending to people of color.
Glickman did not give up, and continued communicating with Schulz, with Schulz surprisingly responding each time. She would even have black friends write to Schulz and explain to him what it would mean to them and gave him some suggestions on how to introduce such a character without offending anyone. This conversation would continue until one day, Schulz would tell Glickman to check her newspaper on July 31, 1968.
On that date, the cartoon, as created by Schulz, shows Charlie Brown meeting a new character, named Franklin. Other than his color, Franklin was just an ordinary kid who befriends and helps Charlie Brown. Franklin also mentions that his father was "over at Vietnam." At the end of the series, which lasted three strips, Charlie invites Franklin to spend the night one day so they can continue their friendship.
There was no big announcement, there was no big deal, it was just a natural conversation between two kids, whose obvious differences did not matter to them. And, the fact that Franklin's father was fighting for this country was also a very strong statement by Schulz.
Although Schulz never made a big deal over the inclusion of Franklin, there were many fans, especially in the South, who were very upset by it and that made national news. One Southern editor even said, “I don’t mind you having a black character, but please don’t show them in school together.”
It would eventually lead to a conversation between Schulz and the president of the comic's distribution company, who was concerned about the introduction of Franklin and how it might affect Schulz' popularity. Many newspapers during that time had threatened to cut the strip.
Schulz' response: "I remember telling Larry at the time about Franklin -- he wanted me to change it, and we talked about it for a long while on the phone, and I finally sighed and said, "Well, Larry, let's put it this way: Either you print it just the way I draw it or I quit. How's that?"
Eventually, Franklin became a regular character in the comic strips, and, despite complaints, Franklin would be shown sitting in front of Peppermint Patty at school and playing center field on her baseball team.
More recently, Franklin is brought up on social media around Thanksgiving time, when the animated 1973 special "A Charlie Brown Thanksgiving" appears. Some people have blamed Schulz for showing Franklin sitting alone at the Thanksgiving table, while the other characters sit across him. But, Schulz did not have the same control over the animated cartoon on a television network that he did on his own comic strip in the newspapers. But, he did have control over his own comic strip, and, he courageously decided to make a statement because of one brave school teacher who decided to ask a simple question.
Glickman would explain later that her parents were "concerned about others, and the values that they instilled in us about caring for and appreciating everyone of all colors and backgrounds — this is what we knew when we were growing up, that you cared about other people . . . And so, during the years, we were very aware of the issues of racism and civil rights in this country [when] black people had to sit at the back of the bus, black people couldn’t sit in the same seats in the restaurants that you could sit . . . Every day I would see, or read, about black children trying to get into school and seeing crowds of white people standing around spitting at them or yelling at them . . . and the beatings and the dogs and the hosings and the courage of so many people in that time."
Because of Glickman, because of Schulz, people around the world were introduced to a little boy named Franklin.